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In Sumu, sampled sounds are represented as collections of up to 64 bandwidth-enhanced partials, each with a frequency, volume, and noisiness that can change over time. This representation of sound makes all kinds of creative changes possible, from natural-sounding time stretching to exotic timbral manipulations.
Users of Madrona Labs’ other software synthesizers—Aalto, Kaivo, and Virta—will find Sumu’s design familiar, with its fully resizable, vector-based user interface. Every control is on a single page, a design decision intended to support creative flow.
Using the patcher, each partial in a sound can be manipulated independently. While the patcher keeps things simple on the surface, each patch cord has 64 independent channels in it. Sumu has different ways to visualize that data, including the space module, which presents a 3d view of each partial’s location, and a 64-channel scope with bar graph and horizontal wave modes.
Обзор от DATABROTH:
https://www.databroth.com/blog/sumu-review
