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Argeiphontes Lyre
http://www.akirarabelais.com/o/software/al.html
baudlineArgeïphontes Lyre is roughly based on the concept of granular synthesis, a means of making a big new sound by breaking apart and reordering smaller amounts of audio material. The user determines the new sound's parameters (timing, pitch, envelope, etc.) with a set of puckishly named functions such as Eviscerator Reanimator (procedural recombination, granular resynthesis, segmentation), Faltung In Zeit (convolution with a time domain aspect), Time Domain Mutation (recombination based on genetic algorithms), The Lobster Quadrille (live recombination with various time/frequency effects) and Widscriðel Scrythylle (wave cycle distortion with draw function crest and trough shaping). In addition, Rabelais has taken these ideas about sound potentials and broadened them to visual and text milieus. Perhaps most interesting about Argeïphontes is its ability to dissolve borders between artistic modes via utilities tools like Shifting Paradigmatically, which can translate audio to text, text to audio, audio to video and video to audio.
http://www.baudline.com/index.html
BernaBaudline is a time-frequency browser designed for scientific visualization of the spectral domain. Signal analysis is performed by Fourier, correlation, and raster transforms that create colorful spectrograms with vibrant detail. Conduct test and measurement experiments with the built in function generator, or play back audio files with a multitude of effects and filters. The baudline signal analyzer combines fast digital signal processing, versatile high speed displays, and continuous capture tools for hunting down and studying elusive signal characteristics.
https://www.giorgiosancristoforo.net/
Cecilia 5Berna 3 is the latest version of the simulation of an early electronic music studio. A celebration of the Studio di Fonologia Musicale of Milano (Studio for Musical Phonology) of the RAI Italian National Radio and Television and the German WDR’s Elektronische Musik Studio of Cologne.
Use 12 Function generators, 6 filters, 8 modulators, plus oscilloscope, four tracks tape recorder, two track tape recorder and four independent tape loops and effects.
http://ajaxsoundstudio.com/software/cecilia/
DINCecilia is an audio signal processing environment aimed at sound designers. Cecilia mangles sound in ways unheard of. Cecilia lets you create your own GUI using a simple syntax. Cecilia comes with many original built-in modules and presets for sound effects and synthesis.
https://dinisnoise.org/
KenaxisThe icing though is the Bezier curve,
Used on aircraft, boat and car bodies,
Abused by Luigi Colani,
But in your ableton hands, they sculpt waveforms,
Change timbre on every sculpt,
Proof is the FFT.
So Goodbye Sine, Triangle, Pulse and Saw,
While we instill Beziers on Carriers and Modulators,
Let the attacks decay,
And the decays attack,
Dump the ADSR.
Ableton used 9 lives for Bezier curves
Curve thinks its better, but DIN is the djinn.
http://www.kenaxis.com/products/kenaxis-2/
MammutKENAXIS
the new crossroads of:
composition and free improvisation
inspiration and innovation
live performance and your sound library
chaos and control
http://archive.notam02.no/arkiv/doc/mammut/
PaulStretch (Paul's Extreme Sound Stretch)Mammut is a program for Linux, Windows and Mac that do sound processing in the frequency domain. The program makes a fast Fourier transform of sound in its entirety. Various operations can then be done in the frequency domain, such as non-linear stretching of the spectrum and spectrum shift. Mammut is a rather unpredictable program, and the user must get used to letting go of control over the time axis. The sounding results are often surprising and exciting. Mammut is also ideal for common operations such as filtering, spectrum shift and convolution and it provides an optimal performance.
Mammut will FFT your sound in one single gigantic analysis (no windows). These spectral data, where the development in time is incorporated in mysterious ways, may then be transformed by different algorithms prior to resynthesis. An interesting aspect of Mammut is its completely non-intuitive sound transformation approach.
Mammut uses a conventional radix-2 FFT, but the number of points in the analysis are typically several million and not a few thousand which is used in short-FFT.
http://hypermammut.sourceforge.net/paulstretch/
Sonic VisualiserThis is a program for stretching the audio. It is suitable only for extreme sound stretching of the audio (like 50x) and for applying special effects by "spectral smoothing" the sounds. It can transform any sound/music to a texture.
https://www.sonicvisualiser.org/index.html
Sonic Visualiser is a free, open-source application for Windows, Linux, and Mac, designed to be the first program you reach for when want to study a music recording closely. It's designed for musicologists, archivists, signal-processing researchers, and anyone else looking for a friendly way to look at what lies inside the audio file.
Soundgrain
http://ajaxsoundstudio.com/software/soundgrain/
SPEAR (Sinusoidal Partial Editing Analysis and Resynthesis)Soundgrain is a graphical interface where users can draw and edit trajectories to control granular sound synthesis. Soundgrain is written with Python/WxPython and uses Pyo as its audio engine.
https://www.klingbeil.com/spear/
TAPESTREA (Techniques And Paradigms for Expressive Synthesis, Transformation, and Rendering of Environmental Audio)SPEAR is an application for audio analysis, editing and synthesis. The analysis procedure (which is based on the traditional McAulay-Quatieri technique) attempts to represent a sound with many individual sinusoidal tracks (partials), each corresponding to a single sinusoidal wave with time varying frequency and amplitude.
Something which closely resembles the original input sound (a resynthesis) can be generated by computing and adding all of the individual time varying sinusoidal waves together. In almost all cases the resynthesis will not be exactly identical to the original sound (although it is possible to get very close).
Aside from offering a very detailed analysis of the time varying frequency content of a sound, a sinusoidal model offers a great deal of flexibility for editing and manipulation. SPEAR supports flexible selection and immediate manipulation of analysis data, cut and paste, and unlimited undo/redo. Hundreds of simultaneous partials can be synthesized in real-time and documents may contain thousands of individual partials dispersed in time. SPEAR also supports a variety of standard file formats for the import and export of analysis data.
https://taps.cs.princeton.edu/
XronoMorphwhat is it? : TAPESTREA (or taps) is a unified framework for interactively analyzing, transforming and synthesizing complex sounds. Given one or more recordings, it provides well-defined means to:
- identify points of interest in the sound and extract them into reusable templates
- transform sound components independently of the background and/or other events
- continually resynthesize the background texture in a perceptually convincing manner
- controllably place event templates over backgrounds, using a novel graphical user interface and/or scripts written in the ChucK audio programming language
https://www.dynamictonality.com/xronomorph.htm
XronoMorph is a free macOS and Windows app for creating multilayered rhythmic and melodic loops (hockets). Each rhythmic layer is visualized as a polygon inscribed in a circle, and each polygon can be constructed according to two different mathematical principles: perfect balance and well-formedness (aka MOS). These principles generalize polyrhythms, additive, and Euclidean rhythms. Furthermore, rhythms can be smoothly morphed between, and irrational rhythms with no regular pulse can also be easily constructed.